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Contents of this Chapter: | ||||||
Introduction... British Isles... The Antipodean Islands (New Zealand)... The Commonwealth of Australia... Film Credits... |
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Introduction... |
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Twenty six of the original Goon Show scripts were shortened and re-worked by Maurice Wiltshire, to provide the basis for a series of fifteen-minute puppet films entitled The Telegoons. The original musical interludes were deleted, and Wallace Greenslade's announcing parts were mostly taken over by Hercules Grytpype-Thynne (see Puppets section). Taking advantage of the visual nature of television, frequent snippets of visual humour were added in place of the Goons Show's mind pictures. The first episode of The Telegoons hit the British Broadcasting Corporation's television airwaves on Saturday October 5th, 1963. The New Zealand Broadcasting Corporation followed suit on Monday August 17th, 1964. The UK BBCtv broadcasts were telecined from 35 mm film prints. I believe it's possible, however, that the New Zealand and other overseas broadcasts of the series may have been telecined from 16 mm prints. Not much happened with The Telegoons after the initial broadcasts. UK fans of the show were left with two more years of the comic strip in TV Comic, a couple of Mountain Films 8 mm home movies, and for those fortunate to live within hailing distance of Leeds, rental of 16 mm film prints. The North East branch of the Goon Show Preservation Society of Great Britain (GSPS), under the guidance of Bill Horsman, were regular customers of the film rental company's 16 mm Telegoons episodes. Some of these film showings involved the GSPS North West branch as well. One such occasion was the GSPS Second North West Annual Convention, held on the evening of June 2nd, 1984, where two of the episodes were screened�said to be one of the high notes of the evening. YORCON, the 1979 convention of British science fiction fandom, held in Leeds over the weekend of 13th - 16th April 1979, screened two episodes of The Telegoons in the 'shorts' category (probably from the same film rental company). Lest you think that The Telegoons sounds a bit far removed from science fiction, they made up for it by also screening several Sci-Fi standards, including 2001. A few years later, in 1986, the film rental company in Leeds that had The Telegoons films was acquired by another larger rental company. Soon afterwards, Bill Horsman got a phone call from his contact at the original company, who said that the precious Telegoons films might end up being dumped, due to a catalogue reshuffle, and would he like to buy them. A large bank overdraft later, all twenty-six of the films were acquired, and eventually made their way into the archives of the GSPS. Thus the rumours that the GSPS now owns 16mm film copies of all 26 of the episodes, bought by the Steam Count (a.k.a. Bill Horsman), apparently legitimately, are in fact true. (Note: A contact inside the BBC recently informed me that the BBC's archives still retain eighteen of The Telegoons episodes on 35 mm, making the GSPS 16 mm holdings larger, even if not as pristine, nor as high-quality due to some loss of resolution in the process of printing down to 16 mm for distribution.) Although not using the original soundtrack, the BBC television show, Telly Addicts, apparently showed a video clip from The Hastings Flyer (T.G. s01e09) episode of The Telegoons, sometime in late 1987. Another Telegoons film was screened at the October 1997 annual convention of the GSPS (Son of a Weekend Called Fred), which was held in Brighton, of Phantom Head Shaver fame. A further The Telegoons episode, China Story, was screened 5th July 2003 at the GSPS convention held in Egham, Surrey. |
The
Telegoons -- 1st Series |
# | Broadcast |
Title & Synopsis |
Original Goon Show |
1 | 1963-10-05 |
The Ascent of Mount
Everest s01e01 GSPS 16 mm film print: footage 520.1' (14:26.83 @ 24 fps) (2 splices in the end credits). GSPS PAL videotape: 14:56 @ 25 fps. GSPS mp4, MPEG-2: 14:33.67 @ 24 fps (telecine, 20967 frames, cleaned) Main plot: Sub-plot: Points of Interest: A production still from this episode, in colour, is presented in the Film Production section. This episode was the basis for the official children's story and colouring book of the same name, published by Tonwen Ltd., 1964. (See Merchandise section) This episode was also released as the 8 mm home movie, Ascent of Everest, by Mountain Films Ltd., circa 1964. (See Merchandise section) The original 3rd-series Goon Show broadcast, The Ascent of Mount Everest, was inspired by the real life Everest expedition which was in progress at the time. The stars of this expedition, Sir Edmund Hillary and Tensing Norgay, reached the summit 31 days later. Of course ten years after that, when the radio script was rewritten for the Telegoon puppets, Hillary and Tensing's success was a well known fact, and a library still of Tensing flying the flags on the summit is actually used in this episode. The Telegoons' discovery of a tent, filled with just about every household convenience one could imagine, addressed the real-life question of whether Hillary's expedition found any evidence of prior expeditions, and in particular the 1924 expedition of George Mallory and Andrew Irvine. Mallory and Irvine were last seen a few hundred meters from the summit. The debate as to whether Mallory may have preceded Hillary to the top was fueled by the discovery of Mallory's body in 1999. In a recent interview (Forbes.com, New Peaks to Climb, by James Clash, Oct 1, 2000), Sir Edmund Hillary was asked to cast his mind back to the summit of Mount Everest. He said, "There are two things I remember clearly, even in the short time I was there. One is that I did look around a bit to see if there was any sign of remnants of Mallory. I didn't expect there to be, of course, after all those years. And there wasn't." |
3/24 (SM & LS, JG ed.) |
2 | 1963-10-12 The Lost Colony Introducing the TELEGOONS |
The Lost Colony s01e02 GSPS 16 mm film print: footage 535.4' (14:52.33 @ 24 fps) (2 splices). GSPS PAL videotape: 14:16 @ 25 fps. GSPS mp4, MPEG-2: 14:54.75 @ 24 fps (telecine, 21473 frames, cleaned, opening-sequence dialogue restored) Seagoon, hereditary owner of Manhattan, exacts a dreadful revenge which reduces a great city to its original value, namely a piece of knotted string, a plastic lettuce, a Mickey Mouse watch, and a wax impression of Florence Nightingoon's teeth. Points of Interest: This episode is a modified (and heavily cut) version of the 33:00 pilot film of the same name. Made three years earlier at a cost of �20,000 in private money, the pilot secured funding from the BBC for production of the series. The puppeteers on the pilot were Ron Field, Joan Field, and Ann Field (all of whom were uncredited in the broadcast version). Only one of the pilot puppeteers, Ann Field, was a puppeteer on the series. Continuity for the pilot was done by director Tony Young's wife, Doreen Dearnaley (uncredited). One of three "assistants" employed to help with changes to the
pilot film for broadcast was puppeteer Joan Garrick, of Space Patrol (UK) fame.
Joan contributed her puppeteer skills to the 1:40 Christopher Columbus opening
sequence (opening sketch), which sets up the plot and provides a quick laugh or
two to warm up the audience. A 10 second linking scene with
Grytpype-Thynne in his soon-to-be-familiar role as announcer, manipulated by John Dudley (uncredited), was added at the
end of the Columbus sequence. Based on the success of this composite opening sequence, a similar
format was used to good effect on
all subsequent episodes in the series. The title sequence for this episode says that it was produced by Wendy Danielli, in association with Tony Young. This simply reflects that it was Wendy who arranged the private financing of the pilot. However, after funding for the series was obtained from the BBC, all subsequent episodes were produced by Tony Young, with Wendy Danielli as associate producer. All evidence suggests that the pilot film's soundtrack was in fact the radio Goon Show recording, The Sale of Manhattan (GS s06e11) (which, by-the-way, was announced on that show as "The Lost Colony"). One fairly reliable source, the Radio Times Guide to TV Comedy (see Bibliography section), says it is thought that The Telegoons used extracts from the original BBC recordings of the radio Goon Show. Since no amount of listening has shown any commonality, this rumour probably arose from the way that the pilot film was made, and does not apply to the episodes which followed, all of which have newly recorded soundtracks based on Maurice Wiltshire's rewrites of the original radio scripts. In any case, it is unlikely that the Goons would have recorded a one-off soundtrack for the pilot (see discussion in the Misconceptions section), particularly since pilot puppeteer Ann Field remembers director Tony Young planning to "make a killing" by reusing the Goon Show recordings (thereby saving the huge cost of rerecording them). Ann also recalls that the pilot was shot using a dialogue tape with the Goons' voices. She also confirmed that the pilot film was something like 33 minutes long, and that, "The [relatively slow] speed of the puppet movement was the main concern for all," all of which rather clinches the matter. To further strengthen this assumption, I have done a trial edit of the first few minutes of The Sale of Manhattan Goon Show radio recording, and have not been too surprised by how well it matches the film footage in the 1963 broadcast episode. Nevertheless, the largest modification of the pilot film was not the addition of an opening sequence, nor was it the deletion of more than 18 minutes of footage. Nor was it the changes to the credits. Instead, sometime in early 1963, the old 1960 soundtrack was replaced with a newly recorded one that better took into account the speed of the puppets, also providing uniformity of style with the other episodes. The difficulties of synchronizing the dialogue with the pre-existing film footage (which don't exist if the dialogue is recorded first) were exacerbated by the Goons' tendency to ad lib. For similar reasons it must also have been difficult to match up Peter Sellers' dialogue for the first eight episodes filmed, which due to his delayed arrival at the voice recording sessions, had been done by a stand-in. To Peter's credit, after the dialogue recordings for the remaining episodes were completed, he went back and re-recorded his parts for the first episodes (see the Film Production section). I can only imagine the effect this must have had on the dubbing department! Notes: The difficulties of matching dialogue to pre-existing film footage have also been touched on in Part 3 of The Goons The Story, although discussed there out of the correct historical context (see Bibliography section). The missing footage at
the start of the GSPS PAL VHS tape for this episode contains the following
dialogue: One of the later episodes of The Telegoons, Napoleon's Piano (s01e04), has an out-of-place scene showing Ned with feathers behind his ears, at sea in a zinc bath (3:37 to 4:49), which clearly belongs in The Lost Colony (at 7:00, just before Ned arrives in New York). Clearly this 1:12 of footage was part of the pilot film, and was cut when the pilot was reduced from its original 33 minute length down to the 15 minutes required for the series. Since the original dialogue in this scene is intact, it would be possible to restore some closer semblance to the pilot by adding back this scene, and removing the opening sequence. (The sound track would have to be reverted too). Also see the points of interest for Napoleon's Piano, below. It is possible that further research will identify other "transplanted" scenes cut from the pilot film. |
6/11 (SM) |
3 | 1963-10-19 |
The Fear of Wages s01e03 GSPS 16 mm film print: footage 536.8' (14:54.66 @ 24 fps) (4 splices). GSPS PAL videotape: 14:26 @ 25 fps. GSPS mp4, MPEG-2: 15:02.25 @ 24 fps (telecine, 21653 frames, cleaned) Ned Seagoon's missing regiment is owed �33 million in back pay and interest, but red tape and nitroglycerine prevents them from collecting. Points of Interest: Some production pictures from this episode are presented in the Film Production section. The same hut prop appears again in The Africa Ship Canal (s02e11). A copy of the original shooting schedule for this episode is shown at the end of the Film Production section. Loosely based on Henri-Georges Clouzot's gripping 1953 film noir, The Wages of Fear. which concerns transporting nitroglycerin across dangerous terrain on the back of a lorry. |
6/25 (SM & LS) (see BBC Radio Collection CD, The Goon Show #20) |
4 | 1963-10-26 |
Napoleon's Piano s01e04 GSPS 16 mm film print: footage 534.7' (14:51.16 @ 24 fps) (3 splices). GSPS PAL videotape: 14:18 @ 25 fps. GSPS mp4, MPEG-2: 14:54.19 @ 24 fps (telecine, 21460 frames, cleaned, opening-sequence dialogue restored) Ned is duped into moving a piano from one room to another for �5...only to find that the piano is in the Louvre Museum in Paris, and must be brought back to England! Points of Interest: The scene (3:37 to 4:49) showing Ned with feathers behind his ears, at sea in a zinc bath, where he meets Eccles in a floating gas stove, who asks, "How far are we from America?" is clearly out of place. Conversely, this 1:12 scene fits perfectly into the broadcast version of The Lost Colony, and was obviously one of several cuts made to the 33 minute pilot film version of The Lost Colony, some of which were reused. What makes this scene stand out is that Ned is supposed to be in the English Channel, but the dialogue indicates that he's in the middle of the Atlantic! The very least we could do with this sloppy edit would be to restore it back to its correct position in The Lost Colony, which would improve the continuity of both episodes!!! The correct position to restore it in the broadcast episode of The Lost Colony (s01e02) is at 7:00, just before Ned arrives in New York. This episode was released as an 8 mm home movie by Mountain Films Ltd., c.1964. (See Merchandise section) |
6/4 (SM) (see BBC Radio Collection CD, The Goon Show #2) |
5 | 1963-11-02 |
The Last Tram s01e05 GSPS 16 mm film print: footage 544.3' (15:07.16 @ 24 fps) (1 splice). GSPS PAL videotape: 14:35 @ 25 fps. GSPS mp4, MPEG-2: 15:12.92 @ 24 fps (telecine, 21909 frames, cleaned, opening-sequence dialogue restored) Inspector Seagoon thinks that all London's trams were melted down into melted down trams ten years ago, but there is still one on Clapham Common... Point of Interest: Based on the real-life dismantling of municipal tramway systems in the UK during the early 1950s. |
5/9 (SM & ES) (see BBC Radio Collection CD, The Goon Show #8) |
1963-11-09 | (No broadcast due to the Festival of Remembrance) | ||
6 | 1963-11-16 |
The China Story s01e06 Run-time: 13:58.40 @ BBC-tv 25 fps Footage: 1310' 35 mm film (Based on the BBC PasB log for the 1964-08-16 repeat) BBC 35 mm film print: footage
1310' (14:33.30 @ 24 fps; 13:58.40 @ BBC-tv 25 fps). British Ambassador Ned Seagoon has to get a certain rosewood upright piano overland to the Great Wall of China. Points of Interest: This was the first all-new episode produced for The Telegoons series, and was made immediately after the Tales of Manhattan opening sequence (see notes for The Lost Colony). Continuity for The China Story was to have been Doreen Dearnaley (dir. Tony Young's wife, who had previously done continuity for The Telegoons pilot film) but when an opportunity came along to do continuity on a bigger project (probably Wolf Rilla's 1963 movie, Cairo), she bowed out and recommended her friend Doreen Soan for the position. Doreen Soan accepted the job and went on to do continuity for all episodes. |
5/17 (SM & ES)
TG film credits SM only |
7 | 1963-11-23 |
The Canal s01e07 BBC PasB log details for 23 November 1963 Broadcast Start - Finish Times: 17:39:43 - 17:53:47 The Telegoons: The Canal (16/63/0307) Source: Grosvenor Films Footage 1361' Sound 35 mm BBC PasB runtime: 14:04 @ BBC-tv 25 fps. BBC 35 mm film print: footage 1361' (15:07.33 @ 24 fps; 14:31.04 @ BBC-tv 25 fps). GSPS 16 mm film print: footage 542' (15:03.33 @ 24 fps) (1 splice). GSPS PAL videotape: 14:33 @ 25 fps. GSPS mp4, MPEG-2: 15:04.92 @ 24 fps (telecine, 21717 frames, cleaned) Note: The PasB runtime is 14:04 @ 25 fps. Based on the footage stated in the PasB log, however, the run-time of the entire film should have been 14:31.04 @ BBC-tv 25 fps. Hence it appears that the end credits were omitted from this broadcast, perhaps because the evening's transmissions were running late. The story told using stills from the film Ned Seagoon, adopted son of one of the adopted wives of famous amateur brain surgeon Lord Grytpype-Thynne, returns home after forty-three years at college. Catch-phrase: "Neddie, promise me...never go near the Canal" Point of Interest: Ann Field, one of the puppeteers, made Neddie's scarf for The Canal. She also made him wet, and changed his clothes for all his scenes in this episode. Nowadays these tasks would probably be done by a 'dresser'. |
5/6 (SM) |
1963-11-30 | (The Choking Horror was scheduled, but was postponed to allow the premiere episode of a new series called Doctor Who to be repeated prior to the 2nd episode) | ||
9 | 1963-12-07 |
The Hastings Flyer s01e09 Runtime: 14:31.04 @ BBC-tv 25 fps Footage: 1361' Sound 35 mm film (Based on the BBC PasB log for the 1964-09-12 repeat) BBC 35 mm film print: footage 1361' (15:07.33 @ 24 fps; 14:31.04 @ BBC-tv 25 fps). GSPS 16 mm film print: footage 538.3' (14:57.17 @ 24 fps) (2 splices). GSPS PAL videotape: 14:30 @ 25 fps. GSPS mp4, MPEG-2: 14:59.50 @ 24 fps (telecine, 21587 frames, cleaned) Intrepid Neddie Seagoon battles through ice and snow to foil the wicked train robbers Grytpype-Thynne and Moriarty. Points of Interest: Some production pictures from this episode, several of which are in colour, are presented in the Film Production section. This was the first episode filmed with Ron Field's electronic puppet lip-synch system. |
6/15 (SM) |
10 | 1963-12-14 |
The Mystery of the
Marie Celeste-Solved s01e10 BBC PasB log details for 14 December 1963 Broadcast Start - Finish Times: 17:39:35 - 17:54:12 The Telegoons: The Mystery of the Marie Celeste - Solved (16/63/0310) Source: Grosvenor Films Footage 1371' Sound 35 mm film BBC PasB runtime: 14:37 @ BBC-tv 25 fps. BBC 35 mm film print: footage 1371' (15:14.00 @ 24 fps; 14:37.44 @ BBC-tv 25 fps). GSPS 16 mm film print: footage 544.1' (15:06.83 @ 24 fps) (no splices). GSPS PAL videotape: 14:38 @ 25 fps. GSPS mp4, MPEG-2: 15:07.79 @ 24 fps (telecine, 21786 frames, cleaned) A �5,000 reward is offered for the solution of the mystery of the Marie Celeste, so with the aid of a duplicate Marie Celeste, Neddie Seagoon investigates (and solves) this famous sea mystery. Point of Interest: Despite over-use of "Ahoy!" and "Pull up a bollard", this episode is loosely based on the historical mystery, which to this day has still not been solved. |
5/8 (SM & ES) (see BBC Radio Collection; The Goon Show #8) |
11 | 1963-12-21 |
The International
Christmas Pudding s01e11 BBC PasB log details for 21 December 1963 Broadcast Start - Finish Times: 17:40:26 - 17:54:56 The Telegoons: The International Christmas Pudding: (16/63/0310) Source: Grosvenor Films Footage 1361' Sound 35 mm (--PasB log says 1461', which is clearly a typo since that would push the runtime over 16 minutes, and these are nominal 15 minute programs) BBC PasB runtime: 14:30 @ 25 fps. BBC 35 mm film print: footage 1361' (15:07.33 @ 24 fps; 14:31.04 @ BBC-tv 25 fps). GSPS 16 mm film print: footage 535' (14:51.67 @ 24 fps) (14 or more splices near start). GSPS PAL videotape: 14:33 @ 25 fps. GSPS mp4, MPEG-2: 14:52.83 @ 24 fps (telecine, 21427 frames, cleaned). In the year 2000 B.C. the International Christmas pudding was destroyed and its fragments scattered the length and longth of the known world. A certain Welsh steamer called Ned searches for one of the missing portions in darkest Africa. Point of Interest: On this same evening, in the time slot preceding The Telegoons, Doctor Who (episode title: The Survivors) first comes face-to-face with his principal adversaries, The Daleks. |
6/9 (SM) (see BBC Radio Collection CD, The Goon Show #2) |
8 | 1963-12-28 |
The Choking Horror s01e08 Runtime: 14:32 @ BBC-tv 25 fps Footage: 1362' Sound 35 mm (Based on the BBC PasB log for the 1964-09-05 repeat) BBC PasB runtime: 14:32 @ 25 fps BBC 35 mm film print: footage 1362' (15:08.00 @ 24 fps; 14:31.68 @ BBC-tv 25 fps) GSPS 16 mm film print: footage 540.1' (15:00.17 @ 24 fps) (3 or 4 splices) GSPS PAL videotape: 14:33 @ 25 fps. GSPS mp4, MPEG-2: 15:03.29 @ 24 fps (telecine, 21678 frames, cleaned). In this tale of Germany's most dastardly secret weapon in the 1914-18 war, Inspector Ned Seagoon is called in to scrutinize a "strange follicular growth" that has infected London's Tower Bridge. Point of Interest: Electronic puppet lip-synch. |
6/22 (SM) |
|
# | Broadcast |
Title & Synopsis |
Original Goon Show |
1 | 1964-03-28 |
Scradge s02e01 BBC PasB log details: 28 March 1964 Broadcast Start - Finish Times: 17.15.00 - 17.29.35 The Telegoons: (16/63/0312): Scradge Source: Grosvenor Films Footage 1361' Sound 35 mm BBC PasB runtime: 14:35 @ 25 fps BBC 35 mm print: footage 1361' (15:07.33 @ 24 fps; 14:31.04 @ BBC-tv 25 fps). GSPS 16 mm print: footage 541.4' (15:02.33 @ 24 fps) (several splices). GSPS PAL videotape: 14:44 @ 25 fps. GSPS mp4, MPEG-2: 15:03.29 @ 24 fps (telecine, 21678 frames, cleaned). To the pyramids of Egypt goes Britain's Scradge expedition, to seek new deposits before all the boots in Britain explode. Meanwhile, Grytpype-Thynne conducts his own operations from Base Camp III, near Monte Carlo. Point of Interest: Mike Fox was upgraded from focus puller to camera operator for this episode, earning his first screen credit. Electronic puppet lip-synch. |
6/26 (SM & LS) (see BBC Radio Collection CD, The Goon Show #7) TG credits SM only |
2 | 1964-04-04
|
The Booted
Gorilla s02e02 BBC PasB log details: 04 April 1964 Broadcast Start - Finish Times: 17.14.58 - 17.29.27 The Telegoons: The Booted Gorilla: (16/63/0313) Source: Grosvenor Films/Television Enterprises Footage 1359' Sound 35 mm BBC PasB runtime: 14:29 @ 25 fps. BBC 35 mm print: footage 1359' (15:06.00 @ 24 fps; 14:29.76 @ BBC-tv 25 fps). GSPS 16 mm print: footage 537.9' (14:56.50 @ 24 fps) (0 or 1 splice). GSPS PAL videotape: 14:33 @ 25 fps. GSPS mp4, MPEG-2: 14:59.50 @ 24 fps (telecine, 21587 frames, cleaned). The story told using stills from the film Sooner or later, the booted gorilla's footwear will need repairing. So Ned Seagoon, determined to catch the monster, sets a trap in the form of a collapsible shoe repair shop run by Mr. Crun. |
5/10 (SM & ES) |
3 | 1964-04-11 |
The
Underwater Mountain s02e03 BBC PasB log details: 11 April 1964 Broadcast Start - Finish Times: 17.16.09 - 17.30.40 The Telegoons: The Underwater Mountain: (16/63/0314) Source: Grosvenor Films/Television Enterprises Footage 1361' Sound 35 mm BBC PasB runtime: 14:31 @ 25 fps. BBC 35 mm print: footage 1361' (15:07.33 @ 24 fps; 14:31.04 @ BBC-tv 25 fps). GSPS 16 mm print: footage 542.9' (15:04.83 @ 24 fps) (5 splices) GSPS PAL videotape: 14:40 @ 25 fps. GSPS mp4, MPEG-2: 15:04.17 @ 24 fps (telecine, 21699 frames, cleaned). Determined to play his saxophone on the highest mountain peak in the world and so win �10,000, Neddie Seagoon and company attempt to conquer Mount Fred...a mountain higher than Mount Everest, but underwater. Point of Interest: John Dudley's fish, starfish and octopus marionettes were used in the underwater scenes. He developed these puppets for his own show, Stars on Strings, with The Dudley Marionettes. They were used in the Neptune's Realm segment. |
4/23 (SM) |
4 | 1964-04-18 |
The
Dreaded Batter Pudding Hurler of Bexhill-on-Sea s02e04 BBC PasB log details: 18 April 1964 Broadcast Start - Finish Times: 17.15.05 - 17.29.37 The Telegoons: The The Dreaded Batter Pudding Hurler of Bexhill on Sea: (16/63/0330) Source: Grosvenor Films/Television Enterprises Footage 1361' Sound 35 mm BBC PasB runtime: 14:32 @ 25 fps. BBC 35 mm print: footage 1361' (15:07.33 @ 24 fps; 14:31.04 @ BBC-tv 25 fps). GSPS 16 mm print: footage 525.8' (14:36.33 @ 24 fps) (several splices) GSPS PAL videotape: 14:10 @ 25 fps. GSPS mp4, MPEG-2: 14:36.58 @ 24 fps (telecine, 21037 frames, cleaned). It is wartime on the South Coast of England. Inspector Ned Seagoon is sent to find out who is subjecting the gentle-townsfolk of Bexhill to a reign of Batter Pudding-induced terror. Point of Interest: Electronic puppet lip-synch. |
5/3 (SM) (see BBC Radio Collection CD, The Goon Show #1) |
5 | 1964-04-25 |
Tales of
Old Dartmoor s02e05 BBC PasB log details: 25 April 1964 Broadcast Start - Finish Times: 17.14.58 - 17.29.29 The Telegoons: Tales of Old Dartmoor: (16/63/0300) Source: Grosvenor Films Footage 1361' Sound 35 mm BBC PasB runtime: 14:31 @ 25 fps. BBC 35 mm print: footage 1361' (15:07.33 @ 24 fps; 14:31.04 @ BBC-tv 25 fps). GSPS 16 mm print: footage 536.8' (14:54.67 @ 24 fps) (2 splices). GSPS PAL videotape: 14:30 @ 25 fps. GSPS mp4, MPEG-2: 14:56.88 @ 24 fps (telecine, 21524 frames, cleaned). The story of how the famous Dartmoor prison was sunk in a sea battle with the equally famous French Chateau d'If. It is also the story of how Neddie Seagoon, as Governor of one of Her Majesty's Prisons, is duped into moving it to the south of France, leaving in its place a full-sized cardboard replica, which still stands to this day. Point of Interest: Electronic puppet lip-synch. |
6/21 (SM) |
6 | 1964-05-02 |
Lurgi
Strikes Britain s02e06 BBC PasB log details: 02 May 1964 Broadcast Start - Finish Times: 17.14.55 - 17.29.24 The Telegoons: Lurgi Strikes Britain: (16/63/0300) Source: Grosvenor Films/Television Enterprises Footage 1361' Sound 35 mm BBC PasB runtime: 14:29 @ 25 fps. BBC 35 mm film print: footage 1361' (15:07.33 @ 24 fps; 14:31.04 @ BBC-tv 25 fps). GSPS 16 mm film print: footage 534.1' (14:50.17 @ 24 fps) (no splices). GSPS PAL videotape: 14:31 @ 25 fps. GSPS mp4, MPEG-2: 14:53.13 @ 24 fps (telecine, 21434 frames, cleaned) A mysterious disease invades Britain. (Yack-a-back-coo!) Point of Interest: Electronic puppet lip-synch. |
5/7 (SM & ES) (see BBC Radio Collection CD, The Goon Show #2) |
7 | 1964-05-09 |
Captain
Seagoon R.N. s02e07 BBC PasB log details: 09 May 1964 Broadcast Start - Finish Times: 17.00.05 - 17.14.38 The Telegoons: Captain Seagoon R.N. (Other PasB details not known) BBC PasB runtime: 14:33 @ BBC-tv 25 fps. BBC 35 mm print: footage 1364.4' (est.) (15:09.60 @ 24 fps; 14:33.22 @ BBC-tv 25 fps). GSPS 16 mm print: footage 537.6' (14:56.00 @ 24 fps) (no splices). GSPS PAL videotape: 14:30 @ 25 fps. GSPS mp4, MPEG-2: 14:58.50 @ 24 fps (telecine, 21563 frames, cleaned) The personal narrative of a famous British naval commander who, in the wars with the Dutch, achieved the unique distinction of blowing up his own ship. Point of Interest: Electronic puppet lip-synch. |
7/8 (SM & LS) |
8 | 1964-05-16 |
The First
Albert Memorial to the Moon s02e08 BBC PasB log details: 16 May 1964 Broadcast Start - Finish Times: 17:03:07 - 17:17:40 The Telegoons: The First Albert Memorial to the Moon: (16/63/0300) Source: Grosvenor Films Footage: 1361' Sound 35 mm BBC PasB runtime: 14:33 @ 25 fps. BBC 35 mm print: footage 1361' (15:07.33 @ 24 fps; 14:31.04 @ BBC-tv 25 fps). GSPS 16 mm print: footage 541.1' (15:01.83 @ 24 fps) (2 splices). GSPS PAL videotape: 14:32 @ 25 fps. GSPS mp4, MPEG-2: 15:03.83 @ 24 fps (telecine, 21691 frames, cleaned) After failing to convince the British Interplanetary Society to sponsor his B2 space rocket project, Professor Seagoon fits rocket motors to one of London's most famous monuments and launches it instead. |
4/7 (SM & LS) |
9 | 1964-05-23 |
The
Whistling Spy Enigma s02e09 GSPS 16 mm print: footage 537.8' (14:56.33 @ 24 fps) (no splices). GSPS PAL videotape: 14:32 @ 25 fps. GSPS mp4, MPEG-2: 14:57.42 @ 24 fps (telecine, 21537 frames, cleaned) In devising a plan to ensure that the English football team defeats the Hungarians, Military Intelligence sends Neddie Seagoon to Budapest, where with the aid of a spy he can identify only by whistling a secret tune, his orders are to mine the boots of the opposing team. Point of Interest: Electronic puppet lip-synch. |
5/1 (SM) (see BBC Radio Collection CD, The Goon Show #7) |
10 | 1964-05-30 |
Tales of
Montmartre s02e10 GSPS 16 mm print: footage 542.2' (15:03 @ 24 fps) (0 splices). GSPS PAL videotape: 14:40 @ 25 fps. GSPS mp4, MPEG-2: 15:04.92 @ 24 fps (telecine, 21717 frames, cleaned). The story of the Eiffel Tower, which unknown to most people, is really a cunningly crafted replica, built after Neddie Toulouse sets fire to the original. Point of Interest: A copy of the original shooting schedule for this episode is shown at the end of the Film Production section. One of the few episodes to include the voice of a woman (OoooOoooohhh! Where's my old medical charts!?), probably lent by associate producer Wendy Danielli, who held an Equity card, and was fluent in French. (The radio Goon Show original of the same name, had also featured a woman's voice, that of actress Charlotte Mitchell. So Tony Young was maintaining a venerable Goon Show tradition.) |
6/18 (SM & ES) (see BBC Radio Collection CD, The Goon Show #10) TG credits SM only |
11 | 1964-06-06 |
The Africa
Ship Canal s02e11 BBC PasB log details for 06 June 1964 Broadcast Start - Finish Times: 17:00:00 - 17:14:31 The Telegoons: The Africa Ship Canal: (16/63/0300) Source: Grosvenor Films Footage: 1361' Sound 35 mm film BBC PasB runtime: 14:31 @ 25 fps. BBC 35 mm print: footage 1361' (15:07.33 @ 24 fps; 14:31.04 @ BBC-tv 25 fps). GSPS 16 mm print footage 539.1' (14:58.50 @ 24 fps) (several splices). GSPS PAL videotape: 14:33 @ 25 fps. GSPS mp4, MPEG-2: 15:00.38 @ 24 fps (telecine, 21608 frames, cleaned) Due to closing of the Suez Canal, ships and aeroplanes had to go around Africa by the Cape. This is the story of the struggle to establish a shorter trans-Africa route. Seagoon, disguised as famous canal builder Ferdinand de Lesseps, wins a British government contract to dig a dry canal along the new route. Points of Interest: Electronic puppet lip-synch. Inspired by the real-life Suez Crisis of the mid 1950s, in which giants struggled to control the world's most strategic sea route. |
7/22 (SM & LS) |
12 | 1964-06-13 |
The Affair
of the Lone Banana s02e12 GSPS 16 mm print: footage 538.6' (14:57.66 @ 24 fps) (several splices). GSPS PAL videotape: 14:34 @ 25 fps. GSPS mp4, MPEG-2: 15:14.71 @ 24 fps (telecine, 21952 frames, cleaned, opening-sequence dialogue restored) In the grounds of the British Embassy in a South American republic, three heroes are dug in round the lone banana tree--the last symbol of waning British prestige. |
5/5 (SM) (see BBC Radio Collection CD, The Goon Show #7) |
1964-06-20 |
(The Terrible Revenge of Fred Fu-Manchu was scheduled, but postponed to make way for cricket from Lord's) | ||
14 | 1964-06-27 |
The Nadger
Plague s02e14 BBC PasB log details for 27 June 1964 Broadcast Start - Finish Times: 17:25:12 - 17:39:44 The Telegoons: The Nadger Plague: (16/63/0300) Source: Grosvenor Films and Television Enterprises Footage: 1361' Sound 35 mm film BBC PasB runtime: 14:32 @ 25 fps. BBC 35 mm print: footage 1361' (15:07.33 @ 24 fps; 14:31.04 @ BBC-tv 25 fps). GSPS 16 mm print: footage 542.9' (15:04.83 @ 24 fps) (0 splices). GSPS PAL videotape: 14:41 @ 25 fps. GSPS mp4, MPEG-2: 15:05.96 @ 24 fps (telecine, 21742 frames, cleaned) A tale of olde and not so-merry
England in which Lord Seagoon tries to escape the dreaded Nadger plague, only to
end up as an 8-day chiming clock on a mantle piece! |
7/3 (SM & LS) (see BBC Radio Collection CD, The Goon Show #20) |
1964-07-04 | (not scheduled, to allow extension of Summer Grandstand) | ||
1964-07-11 | (not scheduled, to allow extension of Summer Grandstand) | ||
15 | 1964-07-18 |
The Siege
of Fort Knight s02e15 BBC PasB log details for 18 July 1964 Broadcast Start - Finish Times: 17:00:02 - 17:14:33 The Telegoons: The Siege of Fort Knight: (16/63/0300) Source: Grosvenor Films and Television Enterprises Footage: 1361' Sound 35 mm film BBC PasB runtime: 14:32 @ BBC-tv 25 fps. BBC 35 mm print: footage 1361' (15:07.33 @ 24 fps; 14:31.04 @ BBC-tv 25 fps). GSPS 16 mm print: footage 541.9' (15:03.17 @ 24 fps) (0 splices). GSPS PAL videotape: 14:41 @ 25 fps. GSPS mp4, MPEG-2: 15:04.33 @ 24 fps (telecine, 21703 frames, cleaned) Brigadier General Lord Seagoon's story of a struggle at Fort Knight in the foothills of Wadi-El-Yu-Want, where the defenders have ample food, but nothing to cook it on. |
4/30 (SM) |
1964-07-25 | (Summer Grandstand) | ||
13 | 1964-08-01 |
The
Terrible Revenge of Fred Fu-Manchu s02e13 GSPS 16 mm print: footage 512.7' (14:14.50 @24 fps) (3 splices). GSPS PAL videotape: 14:53 @ 25 fps. GSPS mp4, MPEG-2: 14:16.83 @ 24 fps (telecine, 20563 frames, cleaned). After losing to the British Empire in a rigged international saxophone playing contest, fiendish Fred explodes his enemies' trouser buttons, destroys all metal saxophones (27,001 of them!), and with his bamboo instrument becomes undisputed world saxophone champion. |
6/12 (SM) |
The 2nd series was immediately followed by
repeats of six of the first series; |
|||
5 | 1964-08-08 |
The Last Tram | 5/9 (SM & ES) |
6 | 1964-08-15 |
The China
Story BBC PasB log details for 15 August 1964 Broadcast Start - Finish Times: 17:00:00 - 17:13:59 The Telegoons: China Story: (16/63/0350) Source: Grosvenor Films Footage 1310' Sound 35 mm film BBC PasB runtime: 13:59 @ BBC-tv 25 fps
|
5/17 (SM & ES)
TG film credits SM only |
7 | 1964-08-22 |
The Canal BBC PasB log details for 22 August 1964 Broadcast Start - Finish Times: 17:15:01 - 17:29:32 The Telegoons: The Canal: (16/63/0350) Source: Grosvenor Films and Television Enterprises Footage 1361' Sound 35 mm film BBC PasB runtime: 14:31 @ BBC-tv 25 fps
|
5/6 (SM) |
1964-08-29 | (Summer Grandstand) | ||
8 | 1964-09-05 |
The
Choking Horror BBC PasB log details for 05 September 1964 Broadcast Start - Finish Times: 17:16:10 - 17:30:42 The Telegoons: The Choking Horror: (16/63/0350) Source: Grosvenor Films Footage: 1362' Sound 35 mm film BBC PasB runtime: 14:32 @ BBC-tv 25 fps
|
6/22 (SM) |
9 | 1964-09-12 |
The
Hastings Flyer BBC PasB log details for 12 September 1964: Broadcast Start - Finish Times: 17:15:00 - 17:29:31. The Telegoons: The Hastings Flyer: (16/63/0350) Source: Grosvenor Films Footage 1361' Sound 35 mm film BBC PasB runtime: 14:31 @ BBC-tv 25 fps
|
6/15 (SM) |
10 | 1964-09-19 |
The
Mystery of the Marie Celeste-Solved
|
5/8 (SM & ES) |
The Telegoons |
# | Broadcast |
Title |
Original Goon Show |
10 | 1965-09-06 |
Tales of Montmartre | 6/18 (SM & ES)
TG credits SM only |
11 | 1965-09-13 |
The Africa Ship Canal | 7/22 (SM & LS) |
12 | 1965-09-20 |
The Affair of the Lone Banana | 5/5 (SM) |
13 | 1965-09-27 |
The Terrible Revenge of Fred Fu-Manchu | 6/12 (SM) |
The
Telegoons -- Regional NZ Broadcasts |
AKTV-2 | WNTV-1 | CHTV-3 | DNTV-2 |
Start of first AKTV-2 series 1964-08-17 Mon 8:17 p.m. The Ascent of Mount Everest |
|||
1964-08-24 Mon 8:17 p.m. The Fear of Wages |
|||
1964-08-31 Mon 8:17 p.m. Napoleon's Piano |
|||
1964-09-07 Mon 8:17 p.m. The Last Tram |
|||
1964-09-14 Mon 8:17 p.m. The China Story |
|||
1964-09-21 Mon 8:17 p.m. The Canal |
|||
1964-09-28 Mon 8:17 p.m. The Choking Horror |
|||
1964-10-05 Mon 8:17 p.m. The Hastings Flyer |
|||
1964-10-12 Mon 8:17 p.m. The Mystery of the Marie Celeste- Solved |
(Doctor Who premieres on NZ television, Friday, 1964-10-16, An Unearthly Child) | ||
1964-10-19 (No broadcast) |
|||
1964-10-26 Mon 8:30 p.m. Scradge |
Start of first CHTV-3 series 1964-10-30 Fri 8:23 p.m. The Ascent of Mount Everest (Right after Dr Who) |
Start of first DNTV-2 series 1964-10-26 Mon 8:27 p.m. The Ascent of Mount Everest |
|
1964-11-02 Mon 8:17 p.m. The Booted Gorilla |
1964-11-06 (No broadcast) |
1964-11-02 Mon 7:57 p.m. The Fear of Wages |
|
1964-11-09 Mon 8:17 p.m. The Underwater Mountain |
1964-11-13 Fri 8:22 p.m. Napoleon's Piano |
1964-11-09 Mon 7:57 p.m. The Last Tram |
|
1964-11-16 Mon 8:17 p.m. The Whistling Spy Enigma |
1964-11-20 Fri 8:24 p.m. The Last Tram |
1964-11-16 Mon 7:57 p.m. The China Story |
|
1964-11-23 Mon 8:17 p.m. Captain Seagoon R.N. |
Start of WNTV-1
series 1964-11-27 Fri 8:22 p.m. The Ascent of Mount Everest (Right after Dr Who) |
1964-11-27 Fri 8:20 p.m. The Fear of Wages |
1964-11-23 Mon 7:57 p.m. The Canal |
1964-11-30 Mon 8:17 p.m. Tales of Old Dartmoor |
1964-12-04 Fri 8:22 p.m. The Fear of Wages |
1964-12-04 (No broadcast) |
1964-11-30 Mon 7:57 p.m. The Choking Horror |
1964-12-07 Mon 8:17 p.m. Lurgi Strikes Britain |
1964-12-11 Fri 8:22 p.m. Napoleon's Piano |
1964-12-11 Fri 8:20 p.m. The China Story |
1964-12-07 Mon 7:57 p.m. The Hastings Flyer |
1964-12-14 (No broadcast) |
1964-12-18 Fri 8:17 p.m. The Last Tram |
1964-12-18 Fri 7:57 p.m. The Canal |
1964-12-14 Mon 7:57 p.m. The Mystery of the Marie Celeste- Solved |
1964-12-21 Mon 8:17 p.m. The Dreaded Batter Pudding Hurler of Bexhill-on-Sea |
1965-01-25 (No broadcast) |
1964-12-25 (No broadcast) |
1964-12-21 Mon 7:57 p.m. Scradge |
1964-12-28 Mon 8:20 p.m. The First Albert Memorial to the Moon |
1965-01-01 Fri 8:52 p.m. The China Story |
1965-01-01 Fri 7:57 p.m. The Choking Horror |
1964-12-28 Mon 7:57 p.m. The Booted Gorilla |
1964-01-04 (No broadcast) |
1965-01-08 Fri 8:47 p.m. The Canal |
1965-01-08 Fri 7:57 p.m. The Hastings Flyer |
1965-01-04 Mon 7:57 p.m. The Underwater Mountain |
Final episode of
first AKTV-2 series 1965-01-11 Mon 8:17 p.m. Tales of Montmatre |
1965-01-15 Fri 9:01 p.m. The Choking Horror |
1965-01-15 Fri 7:57 p.m. The Mystery of the Marie Celeste- Solved |
1965-01-11 Mon 8:04 p.m. The Whistling Spy Enigma |
1965-01-22 Fri 8:56 p.m. The Hastings Flyer |
1965-01-22 Fri 7:57 p.m. Scradge |
Final episode of
first DNTV-2 series 1965-01-18 Mon 8:06 p.m. Napoleon's Piano |
|
1965-01-29 Fri 8:50 p.m. The Mystery of the Marie Celeste- Solved |
1965-01-29 Fri 7:57 p.m. The Booted Gorilla |
||
1965-02-05 Fri 9:21 p.m. Scradge |
1965-02-05 Fri 7:57 p.m. The Underwater Mountain |
||
1965-02-12 Fri 9:18 p.m. The Booted Gorilla |
Final episode of
first CHTV-3 series 1965-02-12 Fri 7:57 p.m. The Whistling Spy Enigma |
||
1965-02-19 Fri 9:24 p.m. The Underwater Mountain |
|||
1965-02-26 Fri 9:20 p.m. The Whistling Spy Enigma |
|||
1965-03-05 Fri 7:15 p.m. Captain Seagoon R.N. |
|||
1965-03-12 Fri 7:15 p.m. Tales of Old Dartmoor |
|||
1965-03-19 Fri 7:15 p.m. Lurgi Strikes Britain |
|||
1965-03-26 Fri 7:16 p.m. The Dreaded Batter Pudding Hurler of Bexhill-on-Sea |
|||
1965-04-02 Fri 7:15 p.m. The First Albert Memorial to the Moon |
|||
1965-04-09 Fri 7:15 p.m. Tales of Montmatre |
|||
1965-04-16 (No broadcast) |
|||
1965-04-23 Fri 7:16 p.m. The International Christmas Pudding |
|||
1965-04-30 Fri 7:15 p.m. The Affair of the Lone Banana |
|||
1965-05-07 Fri 7:14 p.m. The Siege of Fort Knight |
|||
1965-05-14 Fri 7:14 p.m. The Terrible Revenge of Fred Fu-Manchu |
|||
1965-05-21 Fri 7:15 p.m. The Africa Ship Canal |
Start of second
CHTV-3 series 1965-05-21 Fri 6:23 p.m. Captain Seagoon R.N. |
Start of second
DNTV-2 series 1965-05-20 Thur 6:38 p.m. The Lost Colony |
|
1965-05-28 Fri 7:15 p.m. The Lost Colony (Billed incorrectly as end of series) |
1965-05-28 Fri 6:23 p.m. Tales of Old Dartmoor |
1965-05-27 Thur 6:38 p.m. Captain Seagoon R.N. |
|
Final
episode of WNTV-1 series 1965-06-04 Fri 7:15 p.m. The Nadger Plague |
1965-06-04 Fri 6:23 p.m. The Lost Colony |
1965-06-03 Thur 6:38 p.m. Tales of Old Dartmoor |
|
Start of second
AKTV-2 series 1965-06-06 Sun 6:40 p.m. The International Christmas Pudding |
Repeat 1965-06-06 Sun 6:40 p.m. The International Christmas Pudding |
1965-06-11 Fri 6:23 p.m. Lurgi Strikes Britain |
1965-06-10 Thur 6:39 p.m. The Dreaded Batter Pudding Hurler of Bexhill-on-Sea |
1965-06-13 Sun 6:24 p.m. The Affair of the Lone Banana |
1965-06-18 Fri 6:24 p.m. The Dreaded Batter Pudding Hurler of Bexhill-on-Sea |
1965-06-17 Thur 6:41 p.m. The First Albert Memorial to the Moon |
|
1965-06-20 Sun 6:07 p.m. The Siege of Fort Knight |
1965-06-25 Fri 6:24 p.m. The First Albert Memorial to the Moon |
1965-06-24 Thur 6:39 p.m. Tales of Montmartre |
|
1965-06-27 (No broadcast) |
1965-07-02 Fri 6:24 p.m. Tales of Montmartre |
1965-07-01 Thur 6:40 p.m. The International Christmas Pudding |
|
1965-07-04 (No broadcast) |
1965-07-09 Fri 6:23 p.m. The International Christmas Pudding |
1965-07-08 Thur 6:38 p.m. The Affair of the Lone Banana |
|
1965-07-11 Sun 6:22 p.m. The Lost Colony |
1965-07-16 Fri 7:15 p.m. The Affair of the Lone Banana |
1965-07-15 Thur 6:38 p.m. The Siege of Fort Knight |
|
1965-07-18 Sun 6:26 p.m. The Terrible Revenge of Fred Fu-Manchu |
1965-07-23 Fri 6:23 p.m. The Siege of Fort Knight |
1965-07-22 Thur 6:38 p.m. The Terrible Revenge of Fred Fu-Manchu |
|
1965-07-25 Sun 6:29 p.m. The Africa Ship Canal |
1965-07-30 Fri 6:22 p.m. The Terrible Revenge of Fred Fu-Manchu |
1965-07-29 Thur 6:39 p.m. The Africa Ship Canal |
|
Final episode of
second AKTV-2 series 1965-08-01 Sun 6:50 p.m. The Nadger Plague |
1965-08-06 Repeat Fri 6:22 p.m. The Lost Colony |
1965-08-05 Thur 6:46 p.m. The Nadger Plague |
|
Final episode of
second CHTV-3 series 1965-08-13 Fri 6:22 p.m. The Nadger Plague |
Final episode of
second DNTV-2 series 1965-08-12 Thur 6:45 p.m. Lurgi Strikes Britain |
||
AKTV-2 | WNTV-1 | CHTV-3 | DNTV-2 |
The
Telegoons -- Regional ABC Broadcasts |
Victoria (Ch.2,7,9) |
Tasmania | South Australia | Western Australia | NSW | Queensland |
1964-01-06 Mon time p.m. Unknown title |
|||||
1964-01-13 Mon time p.m. Unknown title |
|||||
1964-01-20 Mon time p.m. Unknown title |
|||||
1964-01-27 Mon time p.m. Unknown title |
|||||
1964-02-03 Mon time p.m. Unknown title |
|||||
1964-02-10 Mon time p.m. Unknown title |
|||||
1964-02-17 Mon time p.m. Unknown title |
No listing in Feb 15th 1964 South Aust. TV Week |
||||
1964-02-24 Mon time p.m. Unknown title |
No listing in Feb 24th 1964 South Aust. TV Week |
||||
1964-03-02 Mon time p.m. Unknown title |
No listing in Feb 29th 1964 South Aust. TV Week |
||||
1964-03-09 Mon time p.m. Unknown title |
|||||
1964-03-16 Mon time p.m. Unknown title |
|||||
1964-03-23 Mon time p.m. Unknown title |
|||||
1964-03-30 Mon time p.m. Unknown title |
|||||
1964-04-06 Mon time p.m. Unknown title |
|||||
1964-04-13 Mon time p.m. Unknown title |
|||||
1964-04-20 Mon time p.m. Unknown title |
|||||
1964-04-27 Mon time p.m. Unknown title |
No listing in April 25th 1964 South Aust. TV Week |
||||
1964-05-04 Mon time p.m. Unknown title Article in May 2nd 1964 TV Week says TGs already shown. |
|||||
No listing in May 16th 1964 South Aust. TV Week |
|||||
Victoria | Tasmania | South Australia |
Western Australia |
NSW | Queensland |
The series was shown on ABC Television on Mondays, in the 15-minute slot now occupied by Media Watch (9:20 pm - 9:35 pm).
Australian states, state
abbreviations, and major cities:
Victoria (VIC): Melbourne
Tasmania (TAS): Hobart
South Australia (SA): Adelaide
Western Australia (WA): Perth
New South Wales (NSW): Sydney, Newcastle, Canberra (ACT)
Queensland (QLD): Brisbane, Gold Coast
Northern Territories (NT): Darwin (no TV Week?)
Key to Abbreviations and Notation:
SM -- Spike Milligan
LS -- Larry Stephens
ES -- Eric Sykes
JG -- Jimmy Grafton
PasB -- This refers to the BBC's Programme-as-Broadcast log.
PasB times may differ from those given in the BBC's Radio Times
television programme guide, and represent the actual time of broadcast.
[ ] -- Square brackets generally indicate data that has been corrected or estimated.
Notes:
Dates are given in ISO format: yyyy-mm-dd
True film run times (given in parentheses after some of the titles) have been calculated from the 35 mm footage given in the PasB log, at the standard film rate of 24 frames per second (=1.500 feet per second). If square brackets are used instead of parentheses, the true run times (24 fps) have been calculated from the PAL VHS times (25 fps) by multiplying them by 25/24.
The VHS run-times, like the UK broadcast run-times, are at 25 fps, i.e., 4% faster than the original 24 fps.
Acknowledgement of Sources:
The UK The Telegoons chronology was first published in The Goon Show Companion, by Roger Wilmut and Jimmy Grafton.
The NZ The Telegoons chronology was derived from programme listings in The New Zealand Listener.
The Australian The Telegoons chronology is being derived from programme listings in TV Week.The episode summaries are based on various sources, including The New Zealand Listener, several Goon Show web sites, and my own observations.
Out of the twenty six original Goon Show scripts chosen,
thirteen were by Spike Milligan, seven were by Spike Milligan and Larry Stephens
(one of which was also edited by Jimmy Grafton), and six were by Spike Milligan
and Eric Sykes.
Adapted for television puppet format by Maurice Wiltshire.
Puppet Voices: Spike Milligan
Harry Secombe
Peter Sellers
The film credits in all 26 films specifiy Puppets designed & constructed by
Ralph Dawson Young (Tony's father). This credit should probably have been a
shared credit with Ron Field, since not only did Ron and Joan Field's Marionettes
(a.k.a. The Field Puppets) help build the
Telegoons puppets, but Ron Field contributed his patented electronic
lip synch technology, which became the center of a intense disagreement with the
producers. This is discussed further in the Film Production section. Probably
reflective of this disagreement, Ron Field received no screen credits in
The Telegoons. Ralph
Young is also credited as Animation Controller and Designer for all of
the films, including the
modified pilot film. However, since Ralph's only possible such contribution
could have been for the modified pilot's new 1:38 opening scene, this credit should have gone to
Ron Field.
Electronic puppet lip-synch developed by Ron Field of Ron and Joan Field's Marionettes
(uncredited).
Settings designed by Stanley Moore (also credited as art director in the pilot).
Scenery and properties by Stage Decor Ltd.
Music by Edward White.
Film processed by Kays Laboratories Ltd.
Abbreviations and names used in the film credits chart,
below:
AF = Ann Field (daughter of Ron Field) (now Ann Perrin) |
JP = Jane Phillips |
BB = Robert (Bob) Bucknell | LH = Len Harris |
BF = William (Bill) Freshman | MF = Mike Fox |
BM = Bert Marotta | MW = Michael (Mike) Wilson |
CB = Cyril Brown | PG = Philip (Phil) Grindrod |
DD = Doreen Dearnaley (Tony Young's wife) | PK = Pauline Klotz |
DP = Dudley Plummer | PR = Pat Ronald |
DS = Doreen Soan | RF = Ron Field |
DY = David Young | RY = Ralph Young |
HO = Harry Orchard | TT = Terry Thompson |
JD = John Dudley | TY = Tony Young |
JE = Jock Egon | VP = Violet Phelan (now Violet Philpott) |
JF = Joan Field | WD = Wendy Danielli |
JG = Joan Garrick |
Prod# = Production number.
AP = Associate Producer.
Prod = Producer.
Dir = Director.
DP = Director of Photography.
LC = Lighting Cameraman.
PM = Production Manager (also Production Supervisor).
Ed = Film Editor.
CO = Camera Operator.
Sound = Sound Engineer.
DM = Dubbing Mixer.
DE = Dubbing Editor.
Cont = Continuity.
PS = Puppets Supervisor.
The following chart is arranged in filming order, rather than the order in which the episodes were originally broadcast.
Title |
BBC tv |
Date Filmed |
Prod |
AP | P r o d |
D i r |
DP | LC | PM | Ed | CO | S o u n d |
DM | DE | C o n t |
PS | Puppeteers |
Short test film | n/a | Late 1959 or early 1960. | n/a | -- | WD | TY | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- |
The Lost
Colony - Introducing The Telegoons |
n/a | February 8 - 13 1960 |
Pilot | -- | WD | TY | HO | -- | -- | BB | MW | -- | CB | -- | DD� | -- | RF, JF, AF |
The Lost
Colony - Introducing The Telegoons (Runtime 15:00) �� |
s01, e02 | Opening
sequence: Probably filmed during the week of January 7-11 1963 |
0 | -- |
WD + TY � |
TY | HO | -- | -- | BB | MW | -- | CB | -- | DD� | -- | Pilot: RF�,
JF�,
AF� Opening Sequence only (Columbus): (RY*), JP��, JG��, PR�� (linking scene): JD� (uncredited) |
1st filming series: (Puppet lip-synch was done manually for all episodes in the 1st filming series) | |||||||||||||||||
The China Story | s01, e06 | January 14-18 1963 |
1 | WD | TY | TY | PG | -- | BM | BB | MW | DP | -- | CB | DS | DY | JD, AF, VP |
The Affair of the Lone Banana | s02, e12 | January 21-25 1963 |
2 | WD | TY | BF | PG | -- | BM | BB | MW | DP | -- | CB | DS | DY | JD, AF, VP |
The International Christmas Pudding | s01, e11 | January 28-Feb 1 1963 |
3 | WD | TY | TY | PG | -- | BM | BB | MW | DP | CB | -- | DS | DY | JD, AF, VP |
The Underwater Mountain | s02, e03 | February 4-8 1963 |
4 | WD | TY | BF | PG | -- | BM | BB | MW | DP | CB | -- | DS | DY | JD, AF, VP |
The Mystery of the Marie-Celeste -Solved! |
s01, e10 | February 11-15 1963 |
5 | WD | TY | TY | PG | -- | BM | BB | MW | DP | CB | -- | DS | DY | JD, AF, VP |
The First
Albert Memorial to the Moon |
s02, e08 | February 18-22 1963 |
6 | WD | TY | BF | PG | -- | BM | BB | MW | DP | CB | -- | DS | DY | JD, AF, VP |
Tales of Montmartre |
s02, e10 | February 25p-28 1963 |
7 | WD | TY | TY | PG | -- | BM | BB | MW | DP | CB | -- | DS | DY | JD, AF, VP |
The Canal | s01, e07 | March 4-8 1963 |
8 | WD | TY | BF | PG | -- | BM | BB | MW | DP | CB | -- | DS | DY | JD, AF, VP |
The Siege of Fort Knight or The Underwater Gas Stove |
s02, e15 | March 11-15a 1963 |
9 | WD | TY | TY | PG | -- | BM | BB | MW | DP | CB | -- | DS | DY | JD, AF, VP |
The Booted Gorilla | s02, e02 | March 15p-21 1963 |
10 | WD | TY | TY | PG | -- | BM | BB | MW | DP | CB | -- | DS | DY | JD, AF, VP |
The Terrible Revenge of Fred Fu-Manchu |
s02, e13 | March 22-27a 1963 |
11 | WD | TY | TY | PG | -- | BM | BB | MW | DP | CB | -- | DS | DY | JD, AF, VP |
Napoleon's Piano |
s01, e04 | March
27p - April 3 & April 26 1963 |
12 | WD | TY | BF | PG | -- | BM | BB | MW | DP | -- | CB | DS | DY | JD, AF, VP |
The Last Tram | s01, e05 | April 4-10 1963 |
13 | WD | TY | TY | PG | -- | BM | BB | MW | DP | -- | CB | DS | DY | JD, VP |
2nd filming series: (Automatic puppet lip-synch was used for for all episodes in the 2nd filming series) | |||||||||||||||||
The Ascent of Mount Everest |
s01, e01 | April 11-19a 1963 |
N.14 | WD | TY | TY | PG | -- | BM | BB | MW | DP | -- | CB | DS | DY | JD, VP |
The Fear of Wages | s01, e03 | April 19p-25 1963 |
O.15 | WD | TY | BF | PG | -- | BM | BB | MW | DP | -- | CB | DS | DY | JD, VP |
The Hastings Flyer | s01, e09 | April
29 -May 3 1963 |
P.16 | WD | TY | TY | PG | -- | BM | BB | MW | DP | CB | -- | DS | DY | JD, TT, JE, VP�� |
The Dreaded Batter-Pudding Hurler of Bexhill-on-Sea | s02, e04 | May 6-10 1963 |
Q.17 | WD | TY | TY | ** | MW | BM | BB | MF | DP | CB | -- | DS | DY | JD, TT, JE |
Scradge | s02, e01 | May 13-17 1963? |
R.18? | WD | TY | TY | ** | MW | BM | BB | MF | DP | CB | -- | DS | DY | TT, JE, PK |
The Whistling Spy Enigma | s02, e09 | May 20-24 1963? |
S.19? | WD | TY | TY | ** | MW | BM | BB | MF | DP | CB | -- | DS | DY | TT, JE, PK |
The Choking Horror | s01, e08 | May 27-31 1963? |
T.20? | WD | TY | TY | PG | -- | BM | BB | MW | DP | CB | -- | DS | DY | TT, JE, PK |
Tales of Old Dartmoor | s02, e05 | June 3-7 1963? |
U.21? | WD | TY | TY | PG | -- | BM | BB | MW | DP | CB | -- | DS | DY | TT, JE, PK |
Lurgi Strikes Britain | s02, e06 | June 10-14 1963? |
V.22? | WD | TY | TY | PG | -- | BM | BB | MW | DP | CB | -- | DS | DY | TT, JE, PK |
Captain Seagoon R.N. |
s02, e07 | June 17-21 1963? |
W.23? | WD | TY | TY | PG | -- | BM | BB | MW | DP | CB | -- | DS | DY | TT, JE, PK |
The Africa Ship Canal | s02, e11 | June 24-28 1963? |
X.24? | WD | TY | MW | PG | -- | BM | BB | LH | DP | CB | -- | DS | DY | TT, JE, PK |
The Nadger Plague | s02, e14 | July 8-12 1963? |
Y.25? | WD | TY | MW | PG | -- | BM | BB | LH | DP | CB | -- | DS | DY | TT, JE, PK |
Title |
BBC tv |
Date Filmed |
Prod |
AP | P r o d |
D i r |
DP | LC | PM | Ed | CO | S o u n d |
DM | C o n t |
PS | Puppeteers |
Notes:
The yellow high-lighted dates in the "Date Filmed" column have been verified
against actual shooting schedules, or other documentary evidence of the actual
dates. The other dates have been calculated by allowing one week of five working
days for each film.
The grey high-lighting on production episodes 1 - 12 indicates those episodes
in which the voices were recorded prior to Peter Sellers joining the project.
Although Peter went back after all the episodes were recorded and redubbed his
parts for the first twelve episodes, there is sound evidence (pun intended) that
some parts were left in the voice of the stand-in, whose identity we still don't
know. It is also possible that Spike Milligan helped the stand-in cover Peter's
wide range of characters.
� | The
pilot film, The Lost Colony (1960), at 33 minutes was more than
twice as long as the series episodes that would follow. This was due not
only to the pilot's use of the original radio Goon Show recording, The
Sale of Manhattan (G.S. s06e11), for the soundtrack (approximately 27 minutes
without the musical interludes), but even longer due to the relative slowness of the
puppets. This latter problem, for which there was no practical solution,
would have basically killed Tony Young's original proposal to reuse the BBC's Goon
Show recordings as the soundtrack for the series, had the BBC not decided to block the use
of them anyway. After one false start, in which the
BBC turned the proposal down flat, second time round they were found to be
interested after all. Subsequently, BBC tv made an advance to Grosvenor Films, enough to
produce the first thirteen of the twenty-six 15-minute episodes, with more
funding to follow for the other thirteen episodes. |
�� | The 2nd broadcast episode,
The
Lost Colony (s01e02, 1963),
was a modified version (heavily cut, and with a new sound track) of the
1960 pilot film of the same name. Of the pilot film itself (which was 33
minutes long), there are no known copies
extant, and we can only presume that, as shown to the BBC, it correctly credited Ron,
Joan, and Ann Field for the puppetry, as well as Ron Field and Ralph Young
for the puppet design and construction. Yet the
screen credits in the 15-minute 1963 broadcast version of the pilot do not mention the Field family at
all, which is puzzling, especially considering that they were well known professional puppeteers.
What's more, nowhere does the word puppeteer appear in the revised pilot's
credits, and herein lies a clue to an intrigue (to be further discussed in the Film Production section). What the credits
do
say is that Ralph Young (co-developer of the puppets, but not one of the
puppeteers) was Animation
Controller and designer. The credits also list Jane Phillips (a
professional puppeteer), Joan Garrick (a professional puppeteer), and Pat
Ronald (no details known) as assistants to Ralph Young. Had these three
puppeteers (JP, JG, and PR) been credited as puppeteers, there would certainly
have been major trouble, especially since their contribution to the
puppetry consisted solely of the 1:28 opening sequence, designed to warm up
the audience (a rather amusing scene involving Henry Crun as a reporter interviewing Moriarty as Christopher
Columbus). Following the departure of these new puppeteers, who must have
been employed for no more than a day, a short (10 second) linking scene
was added at the end of the Columbus sequence. The puppet manipulation for
this latter scene (which shows Grytpype-Thynne in his soon-to-be-familiar
role as announcer for the series) was done by John Dudley (uncredited), and
was the first job he did upon joining the production in early January 1963. The credits in subsequent episodes say Puppets designed and constructed by Ralph Young (again omitting Ron Field), but do list the puppeteers, essentially correctly, including twelve episodes credited to puppeteer Ann Field. Also including the pilot, and the modified pilot (s01e02), for which Ann Field was a puppeteer but uncredited, Ann did 13 or the 26 The Telegoons episodes. |
* | Any
commercial release of The
Telegoons needs
to take care of some major discrepancies in the film credits. For example, Ralph Young is
credited as Animation
Controller and Designer for the modified pilot. But Ralph's contribution
could be no more than the new 1:38 opening sequence. In the actual pilot
(which was 33 minutes long), this role and responsibility went to Ron
Field. Therefore, since 90% of the footage in the modified pilot film is
directly from the pilot, the Animation
Controller and Designer credit should rightly have been given to Ron
Field. Also, due to Ron's role as inventor of the (patented) electronic
lip-synch system used in later episodes (which includes pliable faces that
reproduce natural speech movements), the series episode credits should
say Puppets designed and constructed by Ron Field and Ralph Young (in that order).
Despite Tony Young's often-repeated claim that the puppets were designed
and constructed by his father Ralph alone (a view probably designed to
serve Tony's legal maneuverings rather than historians), there is some
opinion that Ralph's screen credit should more properly have been Design
Consultant. Perhaps the truth of the matter (and the view that I have
taken) is somewhere in-between. Whatever the case may be, Ralph Young does
seem to have had a major role as the driving force
behind Tony Young, although no one was quite sure who was driving whom, father
or son! Ron, Joan, and Ann Field were the puppeteers for the pilot (uncredited). The puppeteers mentioned in the modified pilot contributed only 1:28 of footage out of 15 minutes. So to be fair, both set of names should be mentioned, with the Fields first. (See the above footnote for more discussion). |
� | Produced by Wendy Danielli in association with Tony Young. |
** | Phil Grindrod was ill in hospital during these episodes. |
� |
Uncredited. |
�� |
Uncredited. Several photos show Violet Phelan working on The Hastings
Flyer episode, which was her actual last episode, not Fear of Wages. |
? |
Filming order not
known for
the last eight episodes. |
?? | The pilot was filmed over Monday Feb 8 - Saturday Feb 13,
1960. The venue was a rented hall. |
p |
Started in the afternoon (p.m.) |
n/a |
Not applicable |